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	<title>amanda barbour, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>In (visual) conversation with Ester Martin Bergsmark</title>
		<link>https://cleojournal.com/2017/12/19/visual-conversation-ester-martin-bergsmark/</link>
		
		<dc:creator><![CDATA[amanda barbour]]></dc:creator>
		<pubDate>Tue, 19 Dec 2017 13:18:13 +0000</pubDate>
				<category><![CDATA[vol. 5, issue 3: hot]]></category>
		<category><![CDATA[amanda barbour]]></category>
		<category><![CDATA[Ester Martin Bergsmark]]></category>
		<category><![CDATA[video interview]]></category>
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					<description><![CDATA[<p>&#160; Ester Martin Bergsmark is a genderqueer filmmaker from Stockholm. Their award-winning work (Maggie in Wonderland [2008], She Male Snails [2012], Something Must Break [2014]) is easy to identify due to Bergsmark’s striking visual style, but hard to categorize: documentary, porn, fiction, all, none? As Bergsmark&#8217;s identity is articulated through their work, the genre-defying nature [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2017/12/19/visual-conversation-ester-martin-bergsmark/">In (visual) conversation with Ester Martin Bergsmark</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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