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	<title>adam cook, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Homeland Insecurity: Kathleen Shannon’s Working Mothers</title>
		<link>https://cleojournal.com/2013/07/25/homeland-insecurity-kathleen-shannons-working-mothers/</link>
		
		<dc:creator><![CDATA[adam cook]]></dc:creator>
		<pubDate>Thu, 25 Jul 2013 14:10:56 +0000</pubDate>
				<category><![CDATA[vol. 1, issue 2: home]]></category>
		<category><![CDATA[Kathleen Shannon]]></category>
		<category><![CDATA[Working Mothers]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=352</guid>

					<description><![CDATA[<p>Operating within the narrow margin afforded to it, The National Film Board of Canada has produced a considerable number of the country’s most impressive films and filmmakers, particularly throughout the 1960s, 1970s, and 1980s, when several bold initiatives yielded technologically progressive and socially engaged films. Many of these fell under the umbrella of the Challenge [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2013/07/25/homeland-insecurity-kathleen-shannons-working-mothers/">Homeland Insecurity: Kathleen Shannon’s &lt;i&gt;Working Mothers&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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