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	<title>ayanna dozier, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Black Women and the Edit of Shame: Alile Sharon Larkin’s The Kitchen</title>
		<link>https://cleojournal.com/2017/08/18/black-women-edit-shame-alile-sharon-larkins-kitchen/</link>
		
		<dc:creator><![CDATA[ayanna dozier]]></dc:creator>
		<pubDate>Fri, 18 Aug 2017 12:23:59 +0000</pubDate>
				<category><![CDATA[vol. 5, issue 2: shorts]]></category>
		<category><![CDATA[Alile Sharon Larkin]]></category>
		<category><![CDATA[Black Film Makers]]></category>
		<category><![CDATA[L.A. Rebellion]]></category>
		<category><![CDATA[The Kitchen]]></category>
		<category><![CDATA[UCLA]]></category>
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					<description><![CDATA[<p>While the disparate output of the Los Angeles School of Black Filmmakers, or the L.A. Rebellion, has never seen more critical recognition than in present day, mainstream coverage still leaves much to be discovered. The movement, spanning a 25-year period (1968-1993), was borne of a diversity initiative by the UCLA Film and Television Program, giving [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2017/08/18/black-women-edit-shame-alile-sharon-larkins-kitchen/">Black Women and the Edit of Shame: Alile Sharon Larkin’s &lt;i&gt;The Kitchen&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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