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	<title>brent bellamy, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>We Still Need the Women’s Army: Form and Politics in Lizzie Borden’s Born in Flames</title>
		<link>https://cleojournal.com/2013/11/28/we-still-need-the-womens-army-form-and-politics-in-lizzie-bordens-born-in-flames/</link>
		
		<dc:creator><![CDATA[brent bellamy]]></dc:creator>
		<pubDate>Thu, 28 Nov 2013 15:09:00 +0000</pubDate>
				<category><![CDATA[vol. 1, issue 3: doom]]></category>
		<category><![CDATA[Born in Flames]]></category>
		<category><![CDATA[Lizzie Borden]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=583</guid>

					<description><![CDATA[<p>“I don&#8217;t want to tell a story. I have no story to tell. I have problems to figure out.” —Lizzie Borden Lizzie Borden’s radical feminist quasi-documentary Born in Flames (1983) constructs its story through a deeply space-oriented plot. That is, where (the socialist democracy of the U.S.A) is often more important than when (ten years [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2013/11/28/we-still-need-the-womens-army-form-and-politics-in-lizzie-bordens-born-in-flames/">We Still Need the Women’s Army: Form and Politics in Lizzie Borden’s &lt;i&gt;Born in Flames&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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