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	<title>colleen kelsey, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>“I knew I had to stop, but I didn’t care”: Catherine Breillat’s Abuse of Weakness</title>
		<link>https://cleojournal.com/2016/04/18/i-knew-i-had-to-stop-but-i-didnt-care-catherine-breillats-abuse-of-weakness/</link>
		
		<dc:creator><![CDATA[colleen kelsey]]></dc:creator>
		<pubDate>Mon, 18 Apr 2016 14:31:33 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 1: risk]]></category>
		<category><![CDATA[Abuse of Weakness]]></category>
		<category><![CDATA[Catherine Breillat]]></category>
		<category><![CDATA[Interview Magazine]]></category>
		<category><![CDATA[Isabelle Huppert]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1533</guid>

					<description><![CDATA[<p>For those accustomed to defining their personhood solely in relation to the mind, a rupture in the body can come as an indelible shock. Such is the devastation that opens Catherine Breillat’s 2014 film Abuse of Weakness. In a composed overhead shot that begins with a painterly expanse of abstracted white forms, Breillat widens our [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/04/18/i-knew-i-had-to-stop-but-i-didnt-care-catherine-breillats-abuse-of-weakness/">“I knew I had to stop, but I didn’t care”: Catherine Breillat’s &lt;i&gt;Abuse of Weakness&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>The Bourgeois Out for Blood: Catherine Deneuve in The Hunger</title>
		<link>https://cleojournal.com/2015/11/24/the-bourgeois-out-for-blood-catherine-deneuve-in-the-hunger/</link>
		
		<dc:creator><![CDATA[colleen kelsey]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:38:12 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[Catherine Deneuve]]></category>
		<category><![CDATA[David Bowie]]></category>
		<category><![CDATA[Ridley Scott]]></category>
		<category><![CDATA[Susan Sarandon]]></category>
		<category><![CDATA[The Hunger]]></category>
		<category><![CDATA[vampire movies]]></category>
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					<description><![CDATA[<p>“For me there are two things: action and reflection. And I find that I’m more into action.” &#8211; Catherine Deneuve Female vampire mythology has long traded on erotics and unquenchable sexuality. From Theda Bara’s kohl-eyed, fangless silent movie-era “vamps,” to the bayou night-dwellers of True Blood, these creatures embody a lethal exceptionalism. Freed from the [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/the-bourgeois-out-for-blood-catherine-deneuve-in-the-hunger/">The Bourgeois Out for Blood: Catherine Deneuve in &lt;i&gt;The Hunger&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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