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	<title>Cason Sharpe, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Mechanical and Human: On Jill Sprecher’s Clockwatchers</title>
		<link>https://cleojournal.com/2019/04/23/mechanical-and-human-on-jill-sprechers-clockwatchers/</link>
					<comments>https://cleojournal.com/2019/04/23/mechanical-and-human-on-jill-sprechers-clockwatchers/#respond</comments>
		
		<dc:creator><![CDATA[Cason Sharpe]]></dc:creator>
		<pubDate>Tue, 23 Apr 2019 14:09:07 +0000</pubDate>
				<category><![CDATA[vol. 7, issue 1: capital]]></category>
		<category><![CDATA[Alanna Ubach]]></category>
		<category><![CDATA[capital]]></category>
		<category><![CDATA[Clockwatchers]]></category>
		<category><![CDATA[Jill Sprecher]]></category>
		<category><![CDATA[Lisa Kudrow]]></category>
		<category><![CDATA[Parker Posey]]></category>
		<category><![CDATA[temp workers]]></category>
		<category><![CDATA[Toni Collette]]></category>
		<category><![CDATA[working women]]></category>
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					<description><![CDATA[<p>The monotony of modern office culture and its attendant angst are rarely treated as carefully as they are in Clockwatchers (1997), Jill Sprecher’s directorial debut. As a softer, more subtle precursor to Office Space (1999), Clockwatchers is a classic workplace satire from the depths of Generation X, but behind its lighthearted exterior sits a meditation [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2019/04/23/mechanical-and-human-on-jill-sprechers-clockwatchers/">Mechanical and Human: On Jill Sprecher’s &lt;i&gt;Clockwatchers&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
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