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	<title>Debbie Frempong, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Soft Light and Focus in Mother of George</title>
		<link>https://cleojournal.com/2017/04/21/soft-light-focus-mother-of-george/</link>
		
		<dc:creator><![CDATA[Debbie Frempong]]></dc:creator>
		<pubDate>Fri, 21 Apr 2017 11:46:09 +0000</pubDate>
				<category><![CDATA[vol. 5, issue 1: soft]]></category>
		<category><![CDATA[andrew dosunmu]]></category>
		<category><![CDATA[debbie frempong]]></category>
		<category><![CDATA[mother of george]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=2487</guid>

					<description><![CDATA[<p>In Andrew Dosunmu’s Mother of George (2013), a family drama about a couple trying to conceive a child, Dosunmu and cinematographer Bradford Young play with light, colour and skin to produce a haunting, melancholy glare that speaks to the viewer both aesthetically and metaphorically. As Charles Mudede writers in The Stranger, the film “has no [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2017/04/21/soft-light-focus-mother-of-george/">Soft Light and Focus in &lt;i&gt;Mother of George&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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