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	<title>davina quinlivan, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Powdering Her Face: Queen Elizabeth I and Camp Iconography From Quentin Crisp to Beyoncé</title>
		<link>https://cleojournal.com/2015/08/10/powdering-her-face-queen-elizabeth-i-and-camp-iconography-from-quentin-crisp-to-beyonce/</link>
		
		<dc:creator><![CDATA[davina quinlivan]]></dc:creator>
		<pubDate>Mon, 10 Aug 2015 11:54:46 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 2: camp]]></category>
		<category><![CDATA[Beyonce]]></category>
		<category><![CDATA[Cate Blanchett]]></category>
		<category><![CDATA[Elizabeth]]></category>
		<category><![CDATA[Judi Dench]]></category>
		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[Quentin Crisp]]></category>
		<category><![CDATA[Sally Potter]]></category>
		<category><![CDATA[Shakespeare in Love]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1337</guid>

					<description><![CDATA[<p>At the end of Shekhar Kapur’s Elizabeth (1997), Cate Blanchett’s face finally transforms into the portraiture that we firmly associate with this famous Queen of England. The face that is adorned with an ivory mask of white make-up and framed by the waves of her majesty’s hair, pinned up by pearls. At this moment in [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/08/10/powdering-her-face-queen-elizabeth-i-and-camp-iconography-from-quentin-crisp-to-beyonce/">Powdering Her Face: Queen Elizabeth I and Camp Iconography From Quentin Crisp to Beyoncé</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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