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	<title>ela bittencourt, Author at cléo</title>
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		<title>She&#8217;s Come Undone: Longing and Agency in Kazuo Hara&#8217;s Extreme Private Eros: Love Song 1974</title>
		<link>https://cleojournal.com/2013/11/28/shes-come-undone-longing-and-agency-in-kazuo-haras-extreme-private-eros-love-song-1974/</link>
		
		<dc:creator><![CDATA[ela bittencourt]]></dc:creator>
		<pubDate>Thu, 28 Nov 2013 15:11:16 +0000</pubDate>
				<category><![CDATA[vol. 1, issue 3: doom]]></category>
		<category><![CDATA[Extreme Private Eros: Love Song 1974]]></category>
		<category><![CDATA[Kazuo Hara]]></category>
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					<description><![CDATA[<p>Director Kazuo Hara&#8217;s documentary Extreme Private Eros: Love Song 1974 follows the story of the director&#8217;s ex-wife, the outspoken twenty-six-year-old radical Japanese feminist Miyuki Takada. While navigating the relatively new terrain of their breakup, Miyuki is also politically invested in challenging traditional conceptions of women&#8217;s roles at home and in Japanese society. The film is [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2013/11/28/shes-come-undone-longing-and-agency-in-kazuo-haras-extreme-private-eros-love-song-1974/">She&#8217;s Come Undone: Longing and Agency in Kazuo Hara&#8217;s &lt;i&gt;Extreme Private Eros: Love Song 1974&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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