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	<title>Erin Delaney, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Women Unbound: Queer Utopia in the Wachowski Sisters’ Bound</title>
		<link>https://cleojournal.com/2016/12/15/women-unbound-queer-utopia-in-the-wachowski-sisters-bound/</link>
		
		<dc:creator><![CDATA[Erin Delaney]]></dc:creator>
		<pubDate>Thu, 15 Dec 2016 12:49:33 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 3: firsts]]></category>
		<category><![CDATA[bound]]></category>
		<category><![CDATA[femme fatale]]></category>
		<category><![CDATA[film noir]]></category>
		<category><![CDATA[Jean Baudrillard]]></category>
		<category><![CDATA[neo noir]]></category>
		<category><![CDATA[Wachowski sisters]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1782</guid>

					<description><![CDATA[<p>Over the course of seven films and one TV series, directors Lana and Lilly Wachowski have proven to be experts at smuggling cultural theory into commercially successful films. Take their 1999 blockbuster, The Matrix: inspired by the work of Jean Baudrillard, it features Neo (Keanu Reeves) using a hollowed-out copy of the French philosopher&#8217;s Simulacra &#38; Simulation as a [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/12/15/women-unbound-queer-utopia-in-the-wachowski-sisters-bound/">Women Unbound: Queer Utopia in the Wachowski Sisters’ &lt;i&gt;Bound&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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