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	<title>juan llamas-rodriguez, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Elena of Avalor and the Fantastical World of Latinx Identity</title>
		<link>https://cleojournal.com/2016/12/15/elena-of-avalor-and-the-fantastical-world-of-latinx-identity/</link>
		
		<dc:creator><![CDATA[juan llamas-rodriguez]]></dc:creator>
		<pubDate>Thu, 15 Dec 2016 12:49:15 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 3: firsts]]></category>
		<category><![CDATA[disney princess]]></category>
		<category><![CDATA[elena of avalor]]></category>
		<category><![CDATA[latinx]]></category>
		<category><![CDATA[latinx identity]]></category>
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					<description><![CDATA[<p>For princesses of colour, heavy is the head that wears the first Disney crown. The entertainment monolith has famously fumbled in the past when it comes to issues of diversity. For one, the pressures of being the lone figure representing a heterogeneous group are immense. (See the debates around this year’s Moana, the first Polynesian [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/12/15/elena-of-avalor-and-the-fantastical-world-of-latinx-identity/">&lt;i&gt;Elena of Avalor&lt;/i&gt; and the Fantastical World of Latinx Identity</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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