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	<title>jutta sarhimaa, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Heavy Metal: Clio Barnard on Junkyards, Heroes, and Fairytales in The Selfish Giant</title>
		<link>https://cleojournal.com/2014/08/21/heavy-metal-clio-barnard-on-junkyards-heroes-and-fairytales-in-the-selfish-giant-2/</link>
		
		<dc:creator><![CDATA[jutta sarhimaa]]></dc:creator>
		<pubDate>Thu, 21 Aug 2014 12:23:34 +0000</pubDate>
				<category><![CDATA[vol. 2, issue 2: labour]]></category>
		<category><![CDATA[Clio Barnard]]></category>
		<category><![CDATA[interview]]></category>
		<category><![CDATA[The Arbor]]></category>
		<category><![CDATA[The Selfish Giant]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=987</guid>

					<description><![CDATA[<p>In 2010, Clio Barnard made her presence in the film world known with her bold and experimental debut film, The Arbor. A documentary tracing the life of playwright Andrea Dunbar, The Arbor rejected conventional form, using actors to lip-synch interviews Barnard had conducted with her subject’s family and friends. The move was controversial—and raised questions regarding the role [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2014/08/21/heavy-metal-clio-barnard-on-junkyards-heroes-and-fairytales-in-the-selfish-giant-2/">Heavy Metal: Clio Barnard on Junkyards, Heroes, and Fairytales in &lt;i&gt;The Selfish Giant&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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