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	<title>Michael Sicinski, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Sewn to the Celluloid: The Films of Nazlı Dinçel</title>
		<link>https://cleojournal.com/2017/08/18/sewn-celluloid-films-nazli-dincel/</link>
		
		<dc:creator><![CDATA[Michael Sicinski]]></dc:creator>
		<pubDate>Fri, 18 Aug 2017 12:05:15 +0000</pubDate>
				<category><![CDATA[vol. 5, issue 2: shorts]]></category>
		<category><![CDATA[avant garde]]></category>
		<category><![CDATA[Michael Sicinski]]></category>
		<category><![CDATA[Nazlı Dinçel]]></category>
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					<description><![CDATA[<p>The films of Turkish-American artist Nazlı Dinçel can provoke a high degree of discomfort for a viewer, but that is only the beginning. While there are several varieties of provocation within Dinçel’s arsenal, it’s the explicit sexuality that has already begun to make her work notorious, tearing at the straitjacket of decorum. But Dinçel provokes [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2017/08/18/sewn-celluloid-films-nazli-dincel/">Sewn to the Celluloid: The Films of Nazlı Dinçel</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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