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	<title>sarah lennon galavan, Author at cléo</title>
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		<title>Flipping the script: Nadine Labaki&#8217;s Where Do We Go Now?</title>
		<link>https://cleojournal.com/2016/08/18/flipping-the-script-nadine-labakis-where-do-we-go-now/</link>
		
		<dc:creator><![CDATA[sarah lennon galavan]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:11:05 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[Arab cinema]]></category>
		<category><![CDATA[Edward Said]]></category>
		<category><![CDATA[Julia Kristeva]]></category>
		<category><![CDATA[Lebanese cinema]]></category>
		<category><![CDATA[Nadine Labaki]]></category>
		<category><![CDATA[Where Do We Go Now?]]></category>
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					<description><![CDATA[<p>In her 2011 film Where Do We Go Now?, director Nadine Labaki explores the complex and taboo subjects of sectarian violence, religion, and patriarchal oppression in contemporary Lebanon—through humour expressed almost entirely by women. It’s a move that flips the script on conventional Western depictions of Middle Eastern women. In doing this, Labaki’s story of [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/flipping-the-script-nadine-labakis-where-do-we-go-now/">Flipping the script: Nadine Labaki&#8217;s &lt;i&gt;Where Do We Go Now?&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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