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	<title>so mayer, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>The Varda Variations: (Re)introductions of the Auteure in Documenteur and Beyond</title>
		<link>https://cleojournal.com/2018/04/11/varda-variations-documenteur/</link>
		
		<dc:creator><![CDATA[so mayer]]></dc:creator>
		<pubDate>Wed, 11 Apr 2018 11:53:06 +0000</pubDate>
				<category><![CDATA[vol. 6, issue 1: varda]]></category>
		<category><![CDATA[Agnes Varda]]></category>
		<category><![CDATA[auteure]]></category>
		<category><![CDATA[autofiction]]></category>
		<category><![CDATA[documenteur]]></category>
		<category><![CDATA[Jane Campion]]></category>
		<category><![CDATA[shirley clarke]]></category>
		<category><![CDATA[vardadian]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=3124</guid>

					<description><![CDATA[<p>If I’m no good at pretending to be a man and no good at being young, I might just as well start pretending that I am an old woman. I am not sure that anybody has invented old women yet; but it might be worth trying. — Ursula K. Le Guin, “Introducing Myself,” The Wave [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2018/04/11/varda-variations-documenteur/">The Varda Variations: (Re)introductions of the Auteure in &lt;i&gt;Documenteur&lt;/i&gt; and Beyond</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>In Praise of Soft Cock</title>
		<link>https://cleojournal.com/2017/04/20/praise-soft-cock/</link>
		
		<dc:creator><![CDATA[so mayer]]></dc:creator>
		<pubDate>Thu, 20 Apr 2017 11:50:29 +0000</pubDate>
				<category><![CDATA[vol. 5, issue 1: soft]]></category>
		<category><![CDATA[Appropriate Behavior]]></category>
		<category><![CDATA[moonlight]]></category>
		<category><![CDATA[Shortbus]]></category>
		<category><![CDATA[Sophie Mayer]]></category>
		<category><![CDATA[theo and hugo]]></category>
		<category><![CDATA[Wild Side]]></category>
		<category><![CDATA[XXY]]></category>
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					<description><![CDATA[<p>It was never the crude pestle, the blind ramrod we were after: merely a fellow-creature with natural resources equal to our own. — Adrienne Rich, “Natural Resources,” The Dream of a Common Language. * As trans and anti-racist critiques of the now-iconic knitted pink “pussy hats” (worn at Women’s Marches around the world on Jan. [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2017/04/20/praise-soft-cock/">In Praise of Soft Cock</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
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		<title>HOLY TILDA SWINTON!</title>
		<link>https://cleojournal.com/2015/11/24/holy-tilda-swinton/</link>
		
		<dc:creator><![CDATA[so mayer]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:38:53 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[Michael Clayton]]></category>
		<category><![CDATA[Only Lovers Left Alive]]></category>
		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[Sally Potter]]></category>
		<category><![CDATA[Sophie Mayer]]></category>
		<category><![CDATA[Tilda Swinton]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1457</guid>

					<description><![CDATA[<p>&#8220;Holy Tilda Swinton!&#8221; These three words—proclaimed in the sci-fi series Orphan Black (2014-) to describe the arrival of a transmasculine clone—articulate the cinematic gift that is our most mercurial, protean actor: Katherine Matilda Swinton. At home in the sci-fi genre, Swinton&#8217;s grace is in her transformations, especially those of gender. Whether she is narrating Björk [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/holy-tilda-swinton/">HOLY TILDA SWINTON!</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
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		<title>Wet Hot Lesbian Summers</title>
		<link>https://cleojournal.com/2015/08/10/wet-hot-lesbian-summers/</link>
		
		<dc:creator><![CDATA[so mayer]]></dc:creator>
		<pubDate>Mon, 10 Aug 2015 11:56:02 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 2: camp]]></category>
		<category><![CDATA[All About Evil]]></category>
		<category><![CDATA[But I'm a Cheerleader]]></category>
		<category><![CDATA[Itty Bitty Titty Committee]]></category>
		<category><![CDATA[Jamie Babbit]]></category>
		<category><![CDATA[Natasha Lyonne]]></category>
		<category><![CDATA[Who’s Afraid of Vagina Wolf?]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1318</guid>

					<description><![CDATA[<p>In 2015, girl camp finally had the coming-out party it had been waiting for. While touring her low-budget cult film fave, All About Evil (2010), Peaches Christ—drag queen, filmmaker and tour de force—turned her PR tour into an all-singing, all-dancing screening of But I’m a Cheerleader (Jamie Babbit, 1999) along with Natasha Lyonne, the star [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/08/10/wet-hot-lesbian-summers/">Wet Hot Lesbian Summers</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
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		<title>The Art of (Feminist Film) Work in the Age of Digital Reproduction</title>
		<link>https://cleojournal.com/2014/08/21/the-art-of-feminist-film-work-in-the-age-of-digital-reproduction-2/</link>
		
		<dc:creator><![CDATA[so mayer]]></dc:creator>
		<pubDate>Thu, 21 Aug 2014 12:14:48 +0000</pubDate>
				<category><![CDATA[vol. 2, issue 2: labour]]></category>
		<category><![CDATA[52 Tuesdays]]></category>
		<category><![CDATA[Barbara Kopple]]></category>
		<category><![CDATA[Harlan County USA]]></category>
		<category><![CDATA[Rage]]></category>
		<category><![CDATA[Sally Potter]]></category>
		<category><![CDATA[Sophie Mayer]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=981</guid>

					<description><![CDATA[<p>Some time in your life you will have occasion to say &#8220;What is this thing called time? What is that?&#8221; There&#8217;s the clock: you go to work by the clock, you get your martini in the afternoon by the clock, you get your coffee by the clock, you have to get on a plane at [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2014/08/21/the-art-of-feminist-film-work-in-the-age-of-digital-reproduction-2/">The Art of (Feminist Film) Work in the Age of Digital Reproduction</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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