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	<title>veronica fitzpatrick, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>“Can I Fuck This?”: Alex Garland’s Ex Machina</title>
		<link>https://cleojournal.com/2017/04/21/can-i-fuck-this-alex-garlands-ex-machina/</link>
		
		<dc:creator><![CDATA[veronica fitzpatrick]]></dc:creator>
		<pubDate>Fri, 21 Apr 2017 11:50:03 +0000</pubDate>
				<category><![CDATA[vol. 5, issue 1: soft]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[Alex Garland]]></category>
		<category><![CDATA[Alicia Vikander]]></category>
		<category><![CDATA[Ex Machina]]></category>
		<category><![CDATA[Sci-fi]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=2519</guid>

					<description><![CDATA[<p>For all their glossy futurism, female cyborg stories overwhelmingly pivot on the immemorial horror of rape. Whether such films and TV shows allegorize radical social upheaval or contemplate the mysteries of human consciousness, rape scenes inevitably lurk within their narratives. Sexual assault plots pair frequently enough with women’s bodies onscreen, but when those bodies are [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2017/04/21/can-i-fuck-this-alex-garlands-ex-machina/">“Can I Fuck This?”: Alex Garland’s &lt;i&gt;Ex Machina&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
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		<title>Unbearable Lightness: Melanie Laurent’s Breathe</title>
		<link>https://cleojournal.com/2016/08/18/unbearable-lightness-melanie-laurents-breathe/</link>
		
		<dc:creator><![CDATA[veronica fitzpatrick]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:09:45 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[Breathe]]></category>
		<category><![CDATA[Melanie Laurent]]></category>
		<category><![CDATA[respire]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1673</guid>

					<description><![CDATA[<p>“When you’re passionate, are you more free or less free?” A high school teacher poses this question to his class, and studious protagonist Charlie (Joséphine Japy) cites Nietzsche to answer: “It’s easier to renounce passion than control it. Meaning, we become so preoccupied by it that we lose a kind of freedom.” The excerpted lesson concludes [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/unbearable-lightness-melanie-laurents-breathe/">Unbearable Lightness: Melanie Laurent’s &lt;i&gt;Breathe&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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