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	<title>zeba blay, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Love &#038; Hip Hop in the Time of Shonda Rhimes</title>
		<link>https://cleojournal.com/2015/04/20/love-hip-hop-in-the-time-of-shonda-rhimes/</link>
		
		<dc:creator><![CDATA[zeba blay]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 16:02:14 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<category><![CDATA[black women on TV]]></category>
		<category><![CDATA[Love and Hip Hop]]></category>
		<category><![CDATA[Mimi Faust]]></category>
		<category><![CDATA[reality TV]]></category>
		<category><![CDATA[scandal]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1151</guid>

					<description><![CDATA[<p>Reality television has irrevocably damaged society&#8217;s perception of black women. Or it hasn&#8217;t—it depends who you ask. Over the last decade, reality television&#8217;s place in the larger TV landscape has morphed, stretched and expanded to make room for subgenres and sub-subgenres, the most popular of which can best be described as “ratchet reality TV.”  It&#8217;s [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/04/20/love-hip-hop-in-the-time-of-shonda-rhimes/">&lt;i&gt;Love &#038; Hip Hop&lt;/i&gt; in the Time of Shonda Rhimes</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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