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	<title>zorianna zurba, Author at cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Twisted sisters: Catherine Breillat&#8217;s Fat Girl</title>
		<link>https://cleojournal.com/2014/04/24/twisted-sisters-catherine-breillats-fat-girl/</link>
		
		<dc:creator><![CDATA[zorianna zurba]]></dc:creator>
		<pubDate>Thu, 24 Apr 2014 12:51:42 +0000</pubDate>
				<category><![CDATA[vol. 2, issue 1: crave]]></category>
		<category><![CDATA[Catherine Breillat]]></category>
		<category><![CDATA[Criterion Collection]]></category>
		<category><![CDATA[Fat Girl]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=744</guid>

					<description><![CDATA[<p>Fat Girl (2001) is perhaps the quintessential Catherine Breillat film. A crucial figure in new French cinema, Breillat&#8217;s works are known as much for their challenging, graphic content as their cold, distanced modes of observation; traditional titillation has no place in her oeuvre. This certainly can be said of Fat Girl, which depicts—with no holds [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2014/04/24/twisted-sisters-catherine-breillats-fat-girl/">Twisted sisters: Catherine Breillat&#8217;s &lt;i&gt;Fat Girl&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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