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	<title>vol. 3, issue 3: grace Archives - cléo</title>
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	<link>https://cleojournal.com/category/vol-3-issue-3-grace/</link>
	<description>a journal of film and feminism</description>
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		<title>vol. 3, issue 3: grace</title>
		<link>https://cleojournal.com/?p=2029</link>
		
		<dc:creator><![CDATA[cléo journal]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 18:39:46 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?post_type=issue&#038;p=2029</guid>

					<description><![CDATA[<p>The word grace might recall an actor’s perfect poise — à la Lupita Nyong’o post-Oscar fashion spreads — or evoke an image of old-Hollywood style embodied by Grace Kelly or Sophia Loren. In our ninth issue of cléo, we want to think about what is the it they exude? Is gracefulness synonymous with femininity? Or, [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/?p=2029">vol. 3, issue 3: grace</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<item>
		<title>Editor&#8217;s Note: Grace</title>
		<link>https://cleojournal.com/2015/11/24/editors-note-grace/</link>
		
		<dc:creator><![CDATA[kiva reardon]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:42:54 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[Angelina Jolie]]></category>
		<category><![CDATA[Brief Encounter]]></category>
		<category><![CDATA[Cecile Emeke]]></category>
		<category><![CDATA[Danielle Arbid]]></category>
		<category><![CDATA[Geraldine Chaplin]]></category>
		<category><![CDATA[Gia]]></category>
		<category><![CDATA[grace]]></category>
		<category><![CDATA[HBO Enlightened]]></category>
		<category><![CDATA[Josephine Baker]]></category>
		<category><![CDATA[Magic Mike XXL]]></category>
		<category><![CDATA[Mary Stark]]></category>
		<category><![CDATA[Parisienne (peur de rien)]]></category>
		<category><![CDATA[Rome Open City]]></category>
		<category><![CDATA[Sand Dollars]]></category>
		<category><![CDATA[Sarah Gadon]]></category>
		<category><![CDATA[Smiley Face]]></category>
		<category><![CDATA[The Hunger]]></category>
		<category><![CDATA[Tilda Swington]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1468</guid>

					<description><![CDATA[<p>“In this film I wanted to say the sum of who we become is thanks to the people we meet.” – Danielle Arbid on Parisienne (Peur de rien) In the aftermath of the bombings in Beirut and Paris, I found myself searching for something in the world that resembled beauty, kindness, and yes, grace. After [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/editors-note-grace/">Editor&#8217;s Note: Grace</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>Between a Boxer and a Nun: An Interview with Geraldine Chaplin</title>
		<link>https://cleojournal.com/2015/11/24/between-being-a-boxer-and-a-nun-an-interview-with-geraldine-chaplin/</link>
		
		<dc:creator><![CDATA[kiva reardon]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:41:18 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[age in Hollywood]]></category>
		<category><![CDATA[David Lean]]></category>
		<category><![CDATA[Doctor Zhivago]]></category>
		<category><![CDATA[Geraldine Chaplin]]></category>
		<category><![CDATA[International Film Festival of Panama]]></category>
		<category><![CDATA[Sand Dollars]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1406</guid>

					<description><![CDATA[<p>“I’m very much in love with a Dominican woman.” “How old is she?” “I don’t know.” Like age, there’s a tendency to lie when it comes to love. We lie about expectations, motivations and transgressions. We lie to friends, family, and, more often than not, ourselves, which tends to lead to the most painful consequences. [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/between-being-a-boxer-and-a-nun-an-interview-with-geraldine-chaplin/">Between a Boxer and a Nun: An Interview with Geraldine Chaplin</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>Heavy as a Thread: An Interview with Mary Stark</title>
		<link>https://cleojournal.com/2015/11/24/heavy-as-a-thread-an-interview-with-mary-stark/</link>
		
		<dc:creator><![CDATA[samuel la france]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:39:21 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[experimental film]]></category>
		<category><![CDATA[feminist art]]></category>
		<category><![CDATA[film installation]]></category>
		<category><![CDATA[In the Blink of an Eye: A Perspective on Film Editing]]></category>
		<category><![CDATA[Mary Stark]]></category>
		<category><![CDATA[Walter Murch]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1425</guid>

					<description><![CDATA[<p>Mary Stark is a hands-on artist whose film installations and performances demonstrate that there’s a place for grace in the heavily mechanized world of movie-making. The Manchester-based artist has spent the past half-decade developing a film practice that juxtaposes the delicate and ephemeral (represented in her work by thread, light, music and speech) against the [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/heavy-as-a-thread-an-interview-with-mary-stark/">Heavy as a Thread: An Interview with Mary Stark</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>HOLY TILDA SWINTON!</title>
		<link>https://cleojournal.com/2015/11/24/holy-tilda-swinton/</link>
		
		<dc:creator><![CDATA[so mayer]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:38:53 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[Michael Clayton]]></category>
		<category><![CDATA[Only Lovers Left Alive]]></category>
		<category><![CDATA[Orlando]]></category>
		<category><![CDATA[Sally Potter]]></category>
		<category><![CDATA[Sophie Mayer]]></category>
		<category><![CDATA[Tilda Swinton]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1457</guid>

					<description><![CDATA[<p>&#8220;Holy Tilda Swinton!&#8221; These three words—proclaimed in the sci-fi series Orphan Black (2014-) to describe the arrival of a transmasculine clone—articulate the cinematic gift that is our most mercurial, protean actor: Katherine Matilda Swinton. At home in the sci-fi genre, Swinton&#8217;s grace is in her transformations, especially those of gender. Whether she is narrating Björk [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/holy-tilda-swinton/">HOLY TILDA SWINTON!</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>The Bourgeois Out for Blood: Catherine Deneuve in The Hunger</title>
		<link>https://cleojournal.com/2015/11/24/the-bourgeois-out-for-blood-catherine-deneuve-in-the-hunger/</link>
		
		<dc:creator><![CDATA[colleen kelsey]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:38:12 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[Catherine Deneuve]]></category>
		<category><![CDATA[David Bowie]]></category>
		<category><![CDATA[Ridley Scott]]></category>
		<category><![CDATA[Susan Sarandon]]></category>
		<category><![CDATA[The Hunger]]></category>
		<category><![CDATA[vampire movies]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1429</guid>

					<description><![CDATA[<p>“For me there are two things: action and reflection. And I find that I’m more into action.” &#8211; Catherine Deneuve Female vampire mythology has long traded on erotics and unquenchable sexuality. From Theda Bara’s kohl-eyed, fangless silent movie-era “vamps,” to the bayou night-dwellers of True Blood, these creatures embody a lethal exceptionalism. Freed from the [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/the-bourgeois-out-for-blood-catherine-deneuve-in-the-hunger/">The Bourgeois Out for Blood: Catherine Deneuve in &lt;i&gt;The Hunger&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>The Impossible Love of David Lean’s Brief Encounter</title>
		<link>https://cleojournal.com/2015/11/24/grace-sin-the-impossible-love-of-david-leans-brief-encounter/</link>
		
		<dc:creator><![CDATA[justine smith]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:37:15 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[adultery]]></category>
		<category><![CDATA[Brief Encounter]]></category>
		<category><![CDATA[David Lean]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1438</guid>

					<description><![CDATA[<p>You have heard that it was said, ‘You shall not commit adultery.’  But I say to you that everyone who looks at a woman with lustful intent has already committed adultery with her in his heart. (Matthew 5:27-28) Given that David Lean’s Brief Encounter (1945) is about an affair, the film opens with something of [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/grace-sin-the-impossible-love-of-david-leans-brief-encounter/">The Impossible Love of David Lean’s &lt;i&gt;Brief Encounter&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>Neorealism’s Closed Gates: The Women of Rome, Open City</title>
		<link>https://cleojournal.com/2015/11/24/neorealisms-closed-gates-the-women-of-rome-open-city/</link>
		
		<dc:creator><![CDATA[sarah gadon]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:31:30 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[Italian Neo-Realism]]></category>
		<category><![CDATA[Roberto Rossellini]]></category>
		<category><![CDATA[Rome Open City]]></category>
		<category><![CDATA[Sarah Gadon]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1447</guid>

					<description><![CDATA[<p>It was shortly after the Toronto International Film Festival this year when Kiva Reardon asked me if I had anything to contribute to this issue of cléo. I had just screened Sicario by Denis Villeneuve, a director with whom I’ve had the pleasure of working. There has been a lot of talk about Emily Blunt’s [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/neorealisms-closed-gates-the-women-of-rome-open-city/">Neorealism’s Closed Gates: The Women of &lt;i&gt;Rome, Open City&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>“The prettiest prettiest girl”: Complex Beauty in Gia</title>
		<link>https://cleojournal.com/2015/11/24/the-prettiest-prettiest-girl-complex-beauty-in-gia/</link>
		
		<dc:creator><![CDATA[maria isabel martinez]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:30:13 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[Angelina Jolie]]></category>
		<category><![CDATA[Gia]]></category>
		<category><![CDATA[Gia Carangi]]></category>
		<category><![CDATA[HBO]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1452</guid>

					<description><![CDATA[<p>Michael Cristofer’s Gia (1998) opens with a tight shot of makeup brushes accentuating an impossibly beautiful face. The features are those of Angelina Jolie in the role of 1980s supermodel Gia Carangi. The face is unnaturally still, perhaps foreshadowing the well documented fate of the model. Gia lived a life of toxic glamour—she is remembered [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/the-prettiest-prettiest-girl-complex-beauty-in-gia/">“The prettiest prettiest girl”: Complex Beauty in &lt;i&gt;Gia&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>“It can be like grace”: Enlightened Political Possibility</title>
		<link>https://cleojournal.com/2015/11/24/it-can-be-like-grace-enlightened-political-possibility/</link>
		
		<dc:creator><![CDATA[corinn columpar]]></dc:creator>
		<pubDate>Tue, 24 Nov 2015 14:28:04 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 3: grace]]></category>
		<category><![CDATA[Enlightened]]></category>
		<category><![CDATA[HBO]]></category>
		<category><![CDATA[Laura Dern]]></category>
		<category><![CDATA[Luke Wilson]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1420</guid>

					<description><![CDATA[<p>Amy: I don’t want the same old sad story. I want a new story. Levi: It will be new. It’ll be brand new. You know? That’s the beauty of it. It can be like grace. Amy: Grace? Levi: Yeah, life is beautiful. In her essay “In Praise of Vulgar Feminism,” Agata Pyzik considers the star [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/11/24/it-can-be-like-grace-enlightened-political-possibility/">“It can be like grace”: &lt;i&gt;Enlightened&lt;/i&gt; Political Possibility</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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