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	<title>vol. 4, issue 2: LOL! Archives - cléo</title>
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	<link>https://cleojournal.com/category/vol-4-issue-2-lol/</link>
	<description>a journal of film and feminism</description>
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		<title>vol. 4, issue 2: LOL!</title>
		<link>https://cleojournal.com/?p=1970</link>
		
		<dc:creator><![CDATA[cléo journal]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 16:19:11 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?post_type=issue&#038;p=1970</guid>

					<description><![CDATA[<p>“She dreamed by day of never again putting on tight shoes, of never having to laugh and listen and admire, of never more being a good sport. Never.” ― Dorothy Parker, Complete Stories In a 2007 essay for Vanity Fair, Christopher Hitchens famously made the case that women are not genetically predisposed to being funny [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/?p=1970">vol. 4, issue 2: LOL!</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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			</item>
		<item>
		<title>Editor&#8217;s Note: LOL!</title>
		<link>https://cleojournal.com/2016/08/18/editors-note-lol/</link>
		
		<dc:creator><![CDATA[kiva reardon]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:14:41 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[Breathe]]></category>
		<category><![CDATA[Christian Mingle the movie]]></category>
		<category><![CDATA[josie and the pussycats]]></category>
		<category><![CDATA[Serial Mom]]></category>
		<category><![CDATA[Stacey Aglok MacDonald]]></category>
		<category><![CDATA[Tallie Medel]]></category>
		<category><![CDATA[That's So Raven]]></category>
		<category><![CDATA[Transparent]]></category>
		<category><![CDATA[Where Do We Go Now?]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1708</guid>

					<description><![CDATA[<p>In 2005, like a dutiful teen with a disposable income, I saw Mr. &#38; Mrs. Smith in theatres. What I remember most—more than the chemistry between a pre-Brangelina Brad and Angie and any specific plot points—was a stranger who advised me after my reaction to one particularly goofy scene, “You need to learn how to laugh.” I’m [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/editors-note-lol/">Editor&#8217;s Note: LOL!</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>Not the Butt of the Joke: A Conversation with Tallie Medel</title>
		<link>https://cleojournal.com/2016/08/18/not-the-butt-of-the-joke-a-conversation-about-performance-in-comedy-with-tallie-medel/</link>
		
		<dc:creator><![CDATA[deragh campbell]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:13:06 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[Deragh Campbell]]></category>
		<category><![CDATA[Inside Amy Schumer]]></category>
		<category><![CDATA[Nathan Silver]]></category>
		<category><![CDATA[Stinking Heaven]]></category>
		<category><![CDATA[Tallie Medel]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1646</guid>

					<description><![CDATA[<p>By: Deragh Campbell Tallie Medel is a New York-based actor and comedian, performing with the comedic dance troupe Cocoon Central Dance Team, appearing in TV shows such as Inside Amy Schumer and starring in such films as Joy Kevin (Caleb Johnson, 2014), Stinking Heaven (Nathan Silver, 2015) and The Arbalest (Adam Pinney, 2016). We sat [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/not-the-butt-of-the-joke-a-conversation-about-performance-in-comedy-with-tallie-medel/">Not the Butt of the Joke: A Conversation with Tallie Medel</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>The Sassy Slapstick of Raven-Symoné in That’s So Raven</title>
		<link>https://cleojournal.com/2016/08/18/the-sassy-slapstick-of-raven-symone-in-thats-so-raven/</link>
		
		<dc:creator><![CDATA[fanta sylla]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:12:39 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[Disney Channel]]></category>
		<category><![CDATA[female comics]]></category>
		<category><![CDATA[physical comedy]]></category>
		<category><![CDATA[Raven-Symoné]]></category>
		<category><![CDATA[That's So Raven]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1695</guid>

					<description><![CDATA[<p>Viewed through a patriarchal lens, (young) women’s bodies are habitually seen as too fragile, too precious, to slip on a banana peel or fall down a flight of stairs. — Alex Clayton, The Body In Hollywood Slapstick * Raven Baxter, the extravagant psychic heroine of Disney’s That’s So Raven (2003-2007)[i], hates being ignored. When she’s [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/the-sassy-slapstick-of-raven-symone-in-thats-so-raven/">The Sassy Slapstick of Raven-Symoné in &lt;i&gt;That’s So Raven&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>Can’t Stop, Won’t Stop: compulsion and comedy in Serial Mom</title>
		<link>https://cleojournal.com/2016/08/18/cant-stop-wont-stop-compulsion-and-comedy-in-serial-mom/</link>
		
		<dc:creator><![CDATA[jovana jankovic]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:12:02 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[John Waters]]></category>
		<category><![CDATA[Kathleen Turner]]></category>
		<category><![CDATA[Serial Mom]]></category>
		<category><![CDATA[Suzanne Somers]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1659</guid>

					<description><![CDATA[<p>Opening on a sunlit suburban breakfast table surrounded by a stereotypical white middle-class family, John Waters’ Serial Mom (1994) proceeds to unrelentingly and hilariously skewer small-town community “values” through the story of Beverly Sutphin (Kathleen Turner), a smiling, stoic, and devoted wife and mother who dabbles in serial murder on the side. Beverly runs over [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/cant-stop-wont-stop-compulsion-and-comedy-in-serial-mom/">Can’t Stop, Won’t Stop: compulsion and comedy in &lt;i&gt;Serial Mom&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>A Love Letter to Jennifer Coolidge</title>
		<link>https://cleojournal.com/2016/08/18/a-love-letter-to-jennifer-coolidge/</link>
		
		<dc:creator><![CDATA[erica peplin]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:11:31 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[2 Broke Girls]]></category>
		<category><![CDATA[American pie]]></category>
		<category><![CDATA[Best in Show]]></category>
		<category><![CDATA[Jennifer Coolidge]]></category>
		<category><![CDATA[Legally Blonde]]></category>
		<category><![CDATA[love letter]]></category>
		<category><![CDATA[queer crush]]></category>
		<category><![CDATA[Queer love]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1637</guid>

					<description><![CDATA[<p>From which perfect cloud of pink convertibles, lip gloss and acrylic nails did you fall? You’ve been a staple in the film industry for over two decades. You have graced us with your presence in so many films that my finger gets tired scrolling through your IMDb page. In the war of the Jennifers—Lawrence, Aniston, [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/a-love-letter-to-jennifer-coolidge/">A Love Letter to Jennifer Coolidge</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>Flipping the script: Nadine Labaki&#8217;s Where Do We Go Now?</title>
		<link>https://cleojournal.com/2016/08/18/flipping-the-script-nadine-labakis-where-do-we-go-now/</link>
		
		<dc:creator><![CDATA[sarah lennon galavan]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:11:05 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[Arab cinema]]></category>
		<category><![CDATA[Edward Said]]></category>
		<category><![CDATA[Julia Kristeva]]></category>
		<category><![CDATA[Lebanese cinema]]></category>
		<category><![CDATA[Nadine Labaki]]></category>
		<category><![CDATA[Where Do We Go Now?]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1690</guid>

					<description><![CDATA[<p>In her 2011 film Where Do We Go Now?, director Nadine Labaki explores the complex and taboo subjects of sectarian violence, religion, and patriarchal oppression in contemporary Lebanon—through humour expressed almost entirely by women. It’s a move that flips the script on conventional Western depictions of Middle Eastern women. In doing this, Labaki’s story of [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/flipping-the-script-nadine-labakis-where-do-we-go-now/">Flipping the script: Nadine Labaki&#8217;s &lt;i&gt;Where Do We Go Now?&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
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		<title>Christian Mingle: an investigation</title>
		<link>https://cleojournal.com/2016/08/18/christian-mingle-an-investigation/</link>
		
		<dc:creator><![CDATA[sarah hagi]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:10:09 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[Christian Mingle the movie]]></category>
		<category><![CDATA[Corbin Bernsen]]></category>
		<category><![CDATA[Lacey Chabert]]></category>
		<category><![CDATA[sarah hagi]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1651</guid>

					<description><![CDATA[<p>It ain’t easy for young straight women in their early thirties to find a man who’s husband material. Naturally, then, after exhausting every dating website option you could think of, that desperate gang of gals might turn to, say, religion-catfishing on a site like Christian Mingle. But—then—the twist! What if you fall in love with [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/christian-mingle-an-investigation/">&lt;i&gt;Christian Mingle&lt;/i&gt;: an investigation</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
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		<title>Unbearable Lightness: Melanie Laurent’s Breathe</title>
		<link>https://cleojournal.com/2016/08/18/unbearable-lightness-melanie-laurents-breathe/</link>
		
		<dc:creator><![CDATA[veronica fitzpatrick]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:09:45 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[Breathe]]></category>
		<category><![CDATA[Melanie Laurent]]></category>
		<category><![CDATA[respire]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1673</guid>

					<description><![CDATA[<p>“When you’re passionate, are you more free or less free?” A high school teacher poses this question to his class, and studious protagonist Charlie (Joséphine Japy) cites Nietzsche to answer: “It’s easier to renounce passion than control it. Meaning, we become so preoccupied by it that we lose a kind of freedom.” The excerpted lesson concludes [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/unbearable-lightness-melanie-laurents-breathe/">Unbearable Lightness: Melanie Laurent’s &lt;i&gt;Breathe&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
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		<title>Roundtable: Queering Comedy</title>
		<link>https://cleojournal.com/2016/08/18/roundtable-queering-comedy/</link>
		
		<dc:creator><![CDATA[cléo journal]]></dc:creator>
		<pubDate>Thu, 18 Aug 2016 12:08:43 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 2: LOL!]]></category>
		<category><![CDATA[Appropriate Behavior]]></category>
		<category><![CDATA[Brittani Nichols]]></category>
		<category><![CDATA[buffy the vampire slayer]]></category>
		<category><![CDATA[crimson wave]]></category>
		<category><![CDATA[Ellen Degeneres]]></category>
		<category><![CDATA[Janis Iain]]></category>
		<category><![CDATA[Jess Beaulieu]]></category>
		<category><![CDATA[Laura Dern]]></category>
		<category><![CDATA[Mean Girls]]></category>
		<category><![CDATA[queer comedy]]></category>
		<category><![CDATA[suicide kale]]></category>
		<category><![CDATA[willow and tara]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1681</guid>

					<description><![CDATA[<p>What does “queer” comedy look like? More importantly, what do we want it to look like? From 90s sitcoms to indie comedies to romcoms, comedians Brittani Nichols and Jess Beaulieu join submissions editor Mallory Andrews to discuss one-dimensional queer characters, elusive bisexuals, heteronormative tropes and moving beyond queer stories that focus on sexual identity. – [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/08/18/roundtable-queering-comedy/">Roundtable: Queering Comedy</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
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