<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Fish Tank Archives - cléo</title>
	<atom:link href="https://cleojournal.com/tag/fish-tank/feed/" rel="self" type="application/rss+xml" />
	<link>https://cleojournal.com/tag/fish-tank/</link>
	<description>a journal of film and feminism</description>
	<lastBuildDate>Thu, 02 Mar 2017 04:04:09 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.1</generator>
	<item>
		<title>Editor&#8217;s Note: Risk</title>
		<link>https://cleojournal.com/2016/04/18/editors-note-risk/</link>
		
		<dc:creator><![CDATA[kiva reardon]]></dc:creator>
		<pubDate>Mon, 18 Apr 2016 14:34:56 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 1: risk]]></category>
		<category><![CDATA[Abuse of Weakness]]></category>
		<category><![CDATA[Advantageous]]></category>
		<category><![CDATA[Cameraperson]]></category>
		<category><![CDATA[Cather]]></category>
		<category><![CDATA[Denis Villeneuve]]></category>
		<category><![CDATA[Emily Blunt]]></category>
		<category><![CDATA[female film critics]]></category>
		<category><![CDATA[Fish Tank]]></category>
		<category><![CDATA[Kirsten Johnson]]></category>
		<category><![CDATA[Sicario]]></category>
		<category><![CDATA[Tangerine]]></category>
		<category><![CDATA[Two Days One Night]]></category>
		<category><![CDATA[women in film]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1553</guid>

					<description><![CDATA[<p>Three years ago, a group of women decided that starting a feminist film journal was a risk they wanted to take. They were willing to put their names behind something that would call out sexism, critique the industry they worked in, and do it all on the internet, a place that’s never been friendly to [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/04/18/editors-note-risk/">Editor&#8217;s Note: Risk</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Escape from Late Capitalism: Fish Tank and Two Days One Night</title>
		<link>https://cleojournal.com/2016/04/18/escape-from-late-capitalism-fish-tank-and-two-days-one-night/</link>
		
		<dc:creator><![CDATA[ké kampeas-rittenhouse]]></dc:creator>
		<pubDate>Mon, 18 Apr 2016 14:29:48 +0000</pubDate>
				<category><![CDATA[vol. 4, issue 1: risk]]></category>
		<category><![CDATA[Andrea Arnold]]></category>
		<category><![CDATA[Dardenne Brothers]]></category>
		<category><![CDATA[Fish Tank]]></category>
		<category><![CDATA[Marion Cotillard]]></category>
		<category><![CDATA[Two Days One Night]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1548</guid>

					<description><![CDATA[<p>“If you could be any animal, what would you be?” “A white tiger.” &#8211; Mia, Fish Tank “I don’t exist. I’m nothing, nothing at all.” &#8211; Sandra, Two Days One Night Unlike most poor or working class “everyman” characters, the body labouring under capitalism’s long shadow in Andrea Arnold’s Fish Tank (2009) and the Dardenne [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2016/04/18/escape-from-late-capitalism-fish-tank-and-two-days-one-night/">Escape from Late Capitalism: &lt;i&gt;Fish Tank&lt;/i&gt; and &lt;i&gt;Two Days One Night&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
	</channel>
</rss>
