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	<title>janie&#039;s janie Archives - cléo</title>
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	<description>a journal of film and feminism</description>
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		<title>Self-Possession in Janie’s Janie and Madeline’s Madeline</title>
		<link>https://cleojournal.com/2019/04/23/self-possession-in-janies-janie-and-madelines-madeline/</link>
					<comments>https://cleojournal.com/2019/04/23/self-possession-in-janies-janie-and-madelines-madeline/#respond</comments>
		
		<dc:creator><![CDATA[katie duggan]]></dc:creator>
		<pubDate>Tue, 23 Apr 2019 14:07:59 +0000</pubDate>
				<category><![CDATA[vol. 7, issue 1: capital]]></category>
		<category><![CDATA[janie's janie]]></category>
		<category><![CDATA[Josephine Decker]]></category>
		<category><![CDATA[madeline's madeline]]></category>
		<category><![CDATA[marilyn mulford]]></category>
		<category><![CDATA[newsreel collective]]></category>
		<category><![CDATA[peter barton]]></category>
		<category><![CDATA[stephanie palewski]]></category>
		<category><![CDATA[theatre]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=3982</guid>

					<description><![CDATA[<p>Josephine Decker, director of the 2018 experimental drama Madeline’s Madeline, said in an interview that while studying literature in college, she became “obsessed with this concept of the narrator.”[i] She was drawn to epic novels (like One Hundred Years of Solitude by Gabriel García Márquez or Fyodor Dostoevsky’s The Brothers Karamazov) that toyed with the [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2019/04/23/self-possession-in-janies-janie-and-madelines-madeline/">Self-Possession in &lt;i&gt;Janie’s Janie&lt;/i&gt; and &lt;i&gt;Madeline’s Madeline&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
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