We Still Need the Women’s Army: Form and Politics in Lizzie Borden’s Born in Flames

“I don’t want to tell a story. I have no story to tell. I have problems to figure out.” —Lizzie Borden Lizzie Borden’s radical feminist quasi-documentary Born in Flames (1983) constructs its story through a deeply space-oriented plot. That is, where (the socialist democracy of the U.S.A) is often more important than when (ten years […]