She’s Come Undone: Longing and Agency in Kazuo Hara’s Extreme Private Eros: Love Song 1974

Director Kazuo Hara’s documentary Extreme Private Eros: Love Song 1974 follows the story of the director’s ex-wife, the outspoken twenty-six-year-old radical Japanese feminist Miyuki Takada. While navigating the relatively new terrain of their breakup, Miyuki is also politically invested in challenging traditional conceptions of women’s roles at home and in Japanese society. The film is […]