<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>vol. 3, issue 1: boob tube Archives - cléo</title>
	<atom:link href="https://cleojournal.com/category/vol-3-issue-1-boob-tube/feed/" rel="self" type="application/rss+xml" />
	<link>https://cleojournal.com/category/vol-3-issue-1-boob-tube/</link>
	<description>a journal of film and feminism</description>
	<lastBuildDate>Wed, 01 Mar 2017 04:27:43 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.1</generator>
	<item>
		<title>Editor&#8217;s Note: Boob Tube</title>
		<link>https://cleojournal.com/2015/04/20/editors-note-boob-tube/</link>
		
		<dc:creator><![CDATA[kiva reardon]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 16:05:29 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<category><![CDATA[Adventure Time]]></category>
		<category><![CDATA[Happy Valley]]></category>
		<category><![CDATA[Kerry Washington]]></category>
		<category><![CDATA[Love & Hip Hip]]></category>
		<category><![CDATA[Murder She Wrote]]></category>
		<category><![CDATA[scandal]]></category>
		<category><![CDATA[The Fall]]></category>
		<category><![CDATA[Top of the Lake]]></category>
		<category><![CDATA[Transparent]]></category>
		<category><![CDATA[Veronica Mars]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1140</guid>

					<description><![CDATA[<p>Recently, on that social media site and time-suck known as Twitter, film critic Miriam Bale asked her female followers: “What is one of your earliest feminist stirrings from watching movies (or TV)?” The query was notable not only because of the swift responses (everything from the problematic ending of Grease to the pop power of [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/04/20/editors-note-boob-tube/">Editor&#8217;s Note: Boob Tube</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>&#8220;I couldn&#8217;t help but notice…&#8221;: Murder, She Wrote’s Prime Time Feminism</title>
		<link>https://cleojournal.com/2015/04/20/i-couldnt-help-but-notice-murder-she-wrotes-prime-time-feminism/</link>
		
		<dc:creator><![CDATA[nathalie atkinson]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 16:04:37 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<category><![CDATA[Angela Lansbury]]></category>
		<category><![CDATA[Jessica Fletcher]]></category>
		<category><![CDATA[Murder She Wrote]]></category>
		<category><![CDATA[Nathalie Atkinson]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1187</guid>

					<description><![CDATA[<p>First airing in 1984, Murder, She Wrote, about the sexagenarian crime-solving widow Jessica Fletcher [i] (Angela Lansbury), was written—and well-received—as a cozy, satisfying crime procedural. But in the decades since,  the show&#8217;s meanings have evolved far beyond its seemingly benign prime-time origins. Thanks to reruns, Murder, She Wrote has seduced a new generation, who watch with a side of [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/04/20/i-couldnt-help-but-notice-murder-she-wrotes-prime-time-feminism/">&#8220;I couldn&#8217;t help but notice…&#8221;: &lt;i&gt;Murder, She Wrote&lt;/i&gt;’s Prime Time Feminism</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Rape on The CW: Veronica Mars and Sexual Assault</title>
		<link>https://cleojournal.com/2015/04/20/rape-on-the-cw-veronica-mars-and-sexual-assault/</link>
		
		<dc:creator><![CDATA[anne t. donahue]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 16:04:00 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<category><![CDATA[Anne T Donahue]]></category>
		<category><![CDATA[Kristen Bell]]></category>
		<category><![CDATA[rape culture]]></category>
		<category><![CDATA[Veronica Mars]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1158</guid>

					<description><![CDATA[<p>&#8220;You wanna know how I lost my virginity? So do I.&#8221; And so, less than 21 minutes into the pilot episode of the show’s first season, we know this about Veronica Mars (played by Kristen Bell): on top of being a whip-smart, hard-working (daughter of a) private investigator, she&#8217;s been raped at a party. And [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/04/20/rape-on-the-cw-veronica-mars-and-sexual-assault/">Rape on The CW: &lt;i&gt;Veronica Mars&lt;/i&gt; and Sexual Assault</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>&#8220;Instead of Doo-Doo Brown&#8221;: Transparent, Assholes, and Jill Soloway&#8217;s Existential Feminist Collective</title>
		<link>https://cleojournal.com/2015/04/20/instead-of-doo-doo-brown-transparent-assholes-and-jill-soloways-existential-feminist-collective/</link>
		
		<dc:creator><![CDATA[kelli korducki]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 16:03:19 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<category><![CDATA[Courtney Cox's Asshole]]></category>
		<category><![CDATA[Jill Soloway]]></category>
		<category><![CDATA[Transparent]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1192</guid>

					<description><![CDATA[<p>&#8220;In particular those who are condemned to stagnation are often pronounced happy on the pretext that happiness consists in being at rest. This notion we reject, for our perspective is that of existentialist ethics. Every subject plays his part as such specifically through exploits or projects that serve as a mode of transcendence; he achieves [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/04/20/instead-of-doo-doo-brown-transparent-assholes-and-jill-soloways-existential-feminist-collective/">&#8220;Instead of Doo-Doo Brown&#8221;: &lt;i&gt;Transparent&lt;/i&gt;, Assholes, and Jill Soloway&#8217;s Existential Feminist Collective</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Queer Dimensions and The Gender-Fluid Fantasy of Adventure Time</title>
		<link>https://cleojournal.com/2015/04/20/queer-dimensions-and-the-gender-fluid-fantasy-of-adventure-time/</link>
		
		<dc:creator><![CDATA[zoe daniels]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 16:02:51 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<category><![CDATA[Adventure Time]]></category>
		<category><![CDATA[Judith Butler]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1197</guid>

					<description><![CDATA[<p>The cartoon world of showrunner Pendleton Ward&#8217;s Adventure Time has been lauded as one of the most feminist, genderqueer, and generally progressive in all of modern children&#8217;s television. Hugely popular and widely acclaimed, the show follows the adventures of a pre-teen boy (Finn the Human) and his adoptive brother (the shape-shifting Jake the Dog) through [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/04/20/queer-dimensions-and-the-gender-fluid-fantasy-of-adventure-time/">Queer Dimensions and The Gender-Fluid Fantasy of &lt;i&gt;Adventure Time&lt;/i&gt;</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Love &#038; Hip Hop in the Time of Shonda Rhimes</title>
		<link>https://cleojournal.com/2015/04/20/love-hip-hop-in-the-time-of-shonda-rhimes/</link>
		
		<dc:creator><![CDATA[zeba blay]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 16:02:14 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<category><![CDATA[black women on TV]]></category>
		<category><![CDATA[Love and Hip Hop]]></category>
		<category><![CDATA[Mimi Faust]]></category>
		<category><![CDATA[reality TV]]></category>
		<category><![CDATA[scandal]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1151</guid>

					<description><![CDATA[<p>Reality television has irrevocably damaged society&#8217;s perception of black women. Or it hasn&#8217;t—it depends who you ask. Over the last decade, reality television&#8217;s place in the larger TV landscape has morphed, stretched and expanded to make room for subgenres and sub-subgenres, the most popular of which can best be described as “ratchet reality TV.”  It&#8217;s [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/04/20/love-hip-hop-in-the-time-of-shonda-rhimes/">&lt;i&gt;Love &#038; Hip Hop&lt;/i&gt; in the Time of Shonda Rhimes</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>&#8220;Die to Yourself&#8221;: The 21st Century Feminist Crime Drama&#8217;s Dream of Justice</title>
		<link>https://cleojournal.com/2015/04/20/die-to-yourself-the-21st-century-feminist-crime-dramas-dream-of-justice/</link>
		
		<dc:creator><![CDATA[ké kampeas-rittenhouse]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 16:01:46 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<category><![CDATA[Elizabeth Moss]]></category>
		<category><![CDATA[Gillian Anderson]]></category>
		<category><![CDATA[Happy Valley]]></category>
		<category><![CDATA[Jane Campion]]></category>
		<category><![CDATA[The Fall]]></category>
		<category><![CDATA[Top of the Lake]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1163</guid>

					<description><![CDATA[<p>&#8220;Thirteen bodies, all female, 11 white, two Asian-looking, all between the ages of maybe 20, 30, all very dead.&#8221; &#8220;If they were alive, they&#8217;d be illegals and that would mean Immigration. But they&#8217;re dead, so they&#8217;re cargo.&#8221; This exchange between two cops on The Wire epitomizes a particular strain of sexism common to contemporary crime [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/04/20/die-to-yourself-the-21st-century-feminist-crime-dramas-dream-of-justice/">&#8220;Die to Yourself&#8221;: The 21st Century Feminist Crime Drama&#8217;s Dream of Justice</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Roundtable: TV on the Interwebz!</title>
		<link>https://cleojournal.com/2015/04/20/roundtable-tv-on-the-interwebz/</link>
		
		<dc:creator><![CDATA[cléo journal]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 16:01:18 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<category><![CDATA[Amir and Jake]]></category>
		<category><![CDATA[Broad City]]></category>
		<category><![CDATA[High Maintenance]]></category>
		<category><![CDATA[web series]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1147</guid>

					<description><![CDATA[<p>It doesn’t matter who you ask these days—there seems to be almost unanimous agreement that television has never been better. Thanks to a higher quality of production, stories and acting, TV has been heralded as &#8220;cinematic,&#8221; especially on premium cable networks like HBO and Showtime. But alongside these smaller-screen wonders, even smaller screens are making [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/04/20/roundtable-tv-on-the-interwebz/">Roundtable: TV on the Interwebz!</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>Women to Watch: Issa Rae</title>
		<link>https://cleojournal.com/2015/04/20/women-to-watch-issa-rae/</link>
		
		<dc:creator><![CDATA[fariha roísín]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 16:00:01 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<category><![CDATA[Faria Roísín]]></category>
		<category><![CDATA[he Misadventures of Awkward Black Girl]]></category>
		<category><![CDATA[Issa Rae]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?p=1144</guid>

					<description><![CDATA[<p>Women To Watch features profiles of women working in all positions and genres of film (and TV!). The new kid on the HBO block is writer/producer/director Issa Rae, who has revolutionized the idea of the &#8220;awkward black girl.&#8221; Through her phenomenal work, Rae has created space for young black women and women of colour to shape [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/2015/04/20/women-to-watch-issa-rae/">Women to Watch: Issa Rae</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
		<item>
		<title>vol. 3, issue 1: boob tube</title>
		<link>https://cleojournal.com/?p=2085</link>
		
		<dc:creator><![CDATA[cléo journal]]></dc:creator>
		<pubDate>Mon, 20 Apr 2015 05:20:08 +0000</pubDate>
				<category><![CDATA[vol. 3, issue 1: boob tube]]></category>
		<guid isPermaLink="false">https://cleojournal.com/?post_type=issue&#038;p=2085</guid>

					<description><![CDATA[<p>Say what you will about its &#8220;status&#8221; as an art form, or its effect on our eyes and morals, there&#8217;s no denying the television that graces our screens and eats up our bandwidth these days is good. It&#8217;s really good. It&#8217;s so good we are dedicating an entire issue to it. Riffing off of television&#8217;s [&#8230;]</p>
<p>The post <a href="https://cleojournal.com/?p=2085">vol. 3, issue 1: boob tube</a> appeared first on <a href="https://cleojournal.com">cléo</a>.</p>
]]></description>
		
		
		
			</item>
	</channel>
</rss>
