Barbra Streisand: Cinema of Attraction
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Barbra Streisand’s third directorial outing, The Mirror Has Two Faces (1996), thought of as a typical, self-indulgent romantic comedy, was not received favourably. A loose remake of the 1959 French film of the same name by André Cayette, Streisand’s version concerns the romance of a frumpy professor (played by the director herself) and her metamorphosis […]