Everyday Untidy Love: Ida Lupino’s The Bigamist and Douglas Sirk’s There’s Always Tomorrow

Ida Lupino’s The Bigamist is an extraordinarily unconventional film, especially for its 1953 release. While contemporary audiences were not averse to depictions of discontentment with the lifestyle and roles that were supposed to be fulfilling them, mainstream Hollywood films had their own way of conducting this kind of critique. This was not the way of […]