Holy Motors: “I miss the cameras.”

After a thirteen-year hiatus, filmmaker Leos Carax returns with Holy Motors (2012), a kaleidoscopic dawn-to-dusk journey through Paris following the chameleon-like figure known only as Monsieur Oscar (frequent Carax collaborator, Denis Lavant). Oscar is an actor-for-hire, commissioned by a series of unknown clientele to perform as an array of characters, playing out vignettes on the […]