The Star-Crossed Stars of Showgirls, Crossroads, and Glitter

No film is born camp. Instead, the designation of camp is bestowed upon the film once it has tried and—likely—failed at being taken seriously as art or entertainment. There is pleasure to be found in the earnestness of camp’s floundering sincerity; purity in its lack of self-awareness as it falls flat on its face. No […]