Editor’s Note: #CanCon
On November 5, 2012, I sent an email to a group of women with the subject line: “A semi-formed idea.” Would people be interested in starting a film journal, one centred on feminism? This was the ask. Everyone said yes. Over the next six years, that semi-formed idea would become cléo journal. It would become […]
2018: A Year in CanCon
We’re back with our second annual holiday haiku roundup. This time, in anticipation of our upcoming issue on the topic of CANCON, we’re focusing on our favourite Canadian films of the year — seventeen syllables at a time. AVA (dir. Sadaf Foroughi) Not to be tested A teenager in Tehran Defies her constraints FAUSTO (dir. Andrea Bussmann) […]
Editors’ Note: Varda
With five years of cléo under our belts, it seemed only right to take this issue back to our roots, our namesake, and the reason we started this journey at all: Agnès Varda. Our founding editor, Kiva Reardon, discovered Varda in a third-year film class, and the rest is herstory; as the most prominent woman […]
The Gift of Collaboration: A Roundtable on Agnès Varda
Filmmakers Alexandra Hidalgo, Sofia Bohdanowicz and Caroline Leone and actress Indra De Bruyn discuss their shared love of the works of Agnès Varda—including La Pointe Courte, Le Bonheur, Cléo de 5 à 7, Vagabond, The Gleaners and I and The Beaches of Agnès—and the lessons they have learned from her craft. Alexandra: The first Agnès […]
Women to Watch: Sofia Bohdanowicz
Firsts are often thought to belong to the young: first steps, first word, first day of school, first kiss, first heartbreak. In this way, firsts are synonymous with novelty, momentous events that become less and less frequent—or at least less publicly lauded—as time passes. It’s a logic that emphasizes youth and calcifies the assumption that […]